An acting student wants a break into the movies but must be prepared to do anything to get it
I know that to succeed as a television actor I have to make one or two sacrifices, but I don’t expect them to be at the expense of my dignity and my ass.
An international production company is casting for parts in a new teen drama. The characters will be set in a college and in the storyline they will be seventeen years old. The company wants actors who are over eighteen with a little bit of knowledge of the business, so have been asking drama colleges to send over suitably-qualified youngsters.
I am eighteen, a bit shorter than average height, with a fresh face. I can easily pass as seventeen and with my clear skin maybe even fifteen. I am slender, but I don’t work out at the gym because I don’t have to. There’s not enough spare fat on me to fry a sausage.
The cast of the new show which does not have a name yet, at least not one that has been announced, will be an ensemble. That means no one will be the star, all will have equal status. This could be a massive break for me, the show will run for an initial twenty-six episodes on a free-to-air network and the production company has an international reputation for successes in this type of show. It will almost certainly be sold overseas. It is an enormous opportunity for me as it represents fame, wealth and a big boost at the start of my career.
I go across town for an interview and an audition. Obviously, they are seeing a lot of people and I have to wait my turn. I am waiting in the hallway close to the room where the interviews are taking place when the door opens and a young man exits. He is ashen faced and it appears he may have been crying. Looks like he didn’t get the gig, I think.
I am called into the interview room. There are three people waiting for me and I immediately recognised Allen Mikelstein, from his picture in the trade papers. Mikelstein is a big hitter in this town; too big to bother introducing himself or the other people in the room. A woman with a clipboard checks my name and contact details. My credentials established, they ask what experience I have. They aren’t expecting much so I am honest and tell them I’m at drama school and I’ve been in a few stage plays and student films. Mikelstein is sweating buckets. I don’t understand why because the room is pretty cold, I think.
Am I imagining it, or can’t he keep his eyes off my legs. He speaks and asks me to stand up and turn around once or twice. Is he checking me out? I think he might be. I am only eighteen but I’ve been in this city all my life and I am not naïve.
Thank you, Mikelstein says, and hands me a piece of paper. On it is a scene that he wants me to act out with him. I mumble an apology that I haven’t had a chance to read it and I might not be very good. He flashes me a smirk and says, “Don’t worry.”
The truth is that these shows don’t necessarily want people with good acting ability, they want people who look right for the part and who they can rely on professionally. They will be churning out twenty-six episodes, one a week, so there is no room for primemadonnas. The actors will have to be obedient and do as they are told, without fuss. I’m their man, I think: clean cut and handsome, the boy next door, and I will do whatever they ask of me for a piece of this action.
We run through the script. It is a scene where the boy (me) is up before the college’s Dean of Discipline (Mikelstein).
I am startled; this cannot be a real scene from an episode of the show, the networks would never let this go to air.
Mikelstein starts off in character. He is berating me for cutting classes to head to the mall, why do I do it? I tell him the classes are boring and the teachers are hopeless.
He gets angry, says I must apologise. I tell him where to get off.
At this point he turns away from me and heads for a shelf in the corner of the room and picks up a paddle. It’s an ordinary board, the kind you would find in any school in the South.
He smacks the wood into the palm of his hand for emphasis as he scolds me some more. I can’t keep my eyes off the paddle. Is this really happening? What exactly is happening?
“Bend over grab your ankles,” Mikelstein tells me. I hesitate, my breathing is coming faster and my heart rate is quickening. I look at Mikelstein and he replies with his eyes, “Yes, you must go through with it.”
I understand what is going on now. I have to do this.
I stoop down from my waist and rest my hands on my knees.
“Grab your ankles boy!” Mikelstein seems to have come out of character. I part my legs a little and tightly grab hold of my jeans around my calves.
I feel Mikelstein move behind me, admiring the scene. I am only wearing ‘no name’ jeans but I know I look Hot! Hot! Hot! I can wear anything.
A don’t hear the paddle coming but feel an agonising pain as it connects across both buttocks, stinging each cheek equally. My eyes pop and I let out a gasp. Instinctively, I bolt upright to rub my flaming ass, but Mikelstein stops me mid-way and with a forceful shove in the shoulders, he pushes me back down, so once again I am staring at the stained floor tiles.
Whack number two hits, harder than the first, on almost the same spot. I tug at the legs of my jeans determined not to disgrace myself and try to stand up again. It hurts so much I have no words to describe it. I have never been in so much pain in my life.
Number three crashes down across the bottom of my ass, where the cheeks meet the thighs and I let out a scream, so loud, I am sure the people waiting outside the audition room must be able to hear it. Involuntary tears are forming behind my eyes and my whole body seems to be shaking. I am spent. Please, Mr Mikelstein, no more.
I didn’t say this out loud, but Mikelstein got the picture. I heard him replace the paddle on the shelf and he told me to stand.
I rise, my face bright red, from the exertions of the spanking and, probably, because my head has been upside down staring at the floor.
Mikelstein sits on a couch watching me as I furiously rub away at my tight throbbing buns. It is no use; the pain is going to be with me for a long time yet.
Mikelstein gestures that I should sit on the couch next to him. I can see he is sweating even more than before and his face is flushed. Still breathing heavily I gingerly put my butt on the couch, testing it for size to see if my raw ass can stand the pressure.
I wince as my backside takes the weight of my body on the couch. Mikelstein gives a creepy laugh. “Can someone get the boy a cushion?” Nobody moves, his two colleagues know he meant it as a joke.
Mikelstein sits up very close to me and our legs are touching. I am still in some distress and he puts an arm around me, drawing my head into his chest. I can smell his expensive aftershave. What will happen next? Am I going to have to let him come on to me?
The woman pipes up and says, thank you, you have passed the first part of the audition. Mikelstein lets go of me and the meeting becomes formal again.
There is a part two of the audition where I have to meet other possible cast members and TV execs and so on. She tells me they have to see if I will fit in. It seems that I have the looks and enough talent, but do I have the temperament? She writes down an address of a house in the Valley where there will be a party on Friday for everyone involved in the show. I am invited.
Friday is a sweltering hot day. I have no car so I hitch a lift to the house. I dress in a way I hope will delight Mikelstein: in short, short cut-offs and a yellow patterned shirt. If this audition turns out to be a battle of the buns between competing wannabe cast members, I am going to give myself a head start.
I arrive on time at a huge mansion. It has large gardens and a swimming pool. Towards the far end of the garden is something that looks like a lake.
I am astounded when a waiter with a tray of drinks approaches me. He is stunning looking, in his late teens or early twenties, and he is almost entirely naked. He wears a bow tie and a jock strap that hardly covers his assets and that is that. I realise all the other waiters are similarly dressed. As I take my drink (non-alcoholic, I need to keep a clear head, for whatever happens next) I hear the slap of a hand on flesh from behind me and swing round to find Mikelstein had slapped a waiter full on his pert buttocks.
The waiter flashes Mikelstein a smile to say that was the most wonderful experience he has ever enjoyed and, hey, if he wants to do it some more, just go ahead. The boy is a marvellous actor, better than I would ever be.
Lots of people come up to say hello, they are here auditioning like me. None of us quite knows what is expected of us so we are friendly to everyone just in case they turn out to be important.
An assistant to Mikelstein tells me it is my turn to see the great man and leads me into the house and up a spiral staircase to the first floor, where he leaves me in a room on my own. Mikelstein comes in, dressed casually in dark slacks, bulging at the waist, and a white patterned formal shirt. I feel very under-dressed in my cut offs, but he cannot keep his eyes off me: a result.
He offers me a drink (alcohol this time) and I risk accepting it. I want to seem friendly, but I don’t want him to think I might be a drunkard. He calls me by my name and says how much he enjoyed our last meeting. He grins as he says this. Yes, I remember our last meeting; there are still bruises on my ass.
He talks about the show and how he has a great part for me in it and what a great success it will be and what a great career I have ahead of me. He likes the word “great”.
Then he says for it to work I have to show that I can fit in. What did I think about that? I tell him I think it is “great”.
“I’ll do anything you want of me Mr Mikelstein,” I am not subtle. I want the lot: the fame, the money and the lifestyle that goes with it and I want it now.
“Anything?” he leers at me again. I drain the whiskey from my glass.
“Do you want another?” I do, to try to settle my nerves, but I say, “No thanks.”
He sits down on a couch. “Come closer,” he grabs my arm and pulls me closer to him. “Are you a good boy?” He smirks at me. I don’t know how I am supposed to answer this, so I don’t.
“Or are you naughty?” Yet more leering. Suddenly, I know exactly where this is going.
“Naughty boys have to get their bottoms spanked.” With that he simply pulls me forward and down over his lap.
I could fight him, punch him in the face and high-tail it out of there. But, I don’t and I’m not ashamed of that. This is my ticket to stardom. And the journey starts here.
He pulls at the waist of my cut offs so the denim is even tighter across my buttocks and smacks down on my cheeks. I can’t feel I thing, but I don’t suppose I am meant to. They are more like ‘love pats’ than spanks. Mikelstein is enjoying feeling-up my pert bottom. He stops smacking for a while and gently rubs his hand around my two globes, measuring them up.
“Stand up.” He helps me up and I stand in front of him.
“Hands on head.” This is unexpected, but I do as instructed. He undoes the button of my cut-offs and they fall to my knees. Then he pulls me on top of him, so that I am stretched out across the couch with my upper body and arms resting to his left and my legs stretched out to his right. My bottom is high over his abundant thighs.
He spanks me harder this time. The first slaps connects into the centre of my left cheek and then the centre of the right and then he covers the whole circuit, from the top of the globes near the base of the spine, to the curves at the thighs. The thin cotton of my tight, white, briefs is no protection. Mikelstein is getting into his stride as he lands short, rapid spanks all over my buttocks and thighs.
My butt is warming up and as each successive swat falls across the tight cotton briefs, the pain increases. I am not in agony, the pain is nothing like the paddling he had given me, but gradually the soreness in my ass increases.
I am losing track of time, but he must have whacked on and on at my buttocks for five minutes or more, never letting up. Although I am feeling sore now and gasping a little, I don’t make a sound and nor does Mikelstein.
Suddenly, I realise I have no idea what I am supposed to do. I am an actor after all, am I meant to be playing a role here? Does he want me to holler and howl, like he is killing me? Should I plead for him to stop? “I will be a good boy Daddy, I promise.”
I am probably too late to change tack now: I am stuck with naturalism; my reactions are genuine, based on the real discomfort he is causing me. We had learnt about ‘naturalism’ in class, but I never expected this would be the first role where I would put it into practice.
Gently he pulls down my briefs to my knees, exposing my, by now very pink bottom. “What a lovely shade of pink,” Mikelstein pants. He caresses my buttocks, “and, so very hot. Ha! Ha! Ha!” He has made a joke.
He slaps on and on. Although I am now bare butt, the pain doesn’t get any worse. I am no expert, but I wonder if there is some limit to a hand spanking: the pain reaches a limit, but doesn’t go beyond it. The spanker’s hand is pretty sore too, so at this point he reaches for the hairbrush and takes the boy’s butt off with that.
Luckily for me, that isn’t Mikelstein’s plan: at least not for today, so he hand-spanks me for another few minutes until he is spent. He is breathing so heavily, I think he might be having a seizure. He holds tightly onto me, so I can’t get up. I don’t know what is happening; it may be that he is just taking a break before another onslaught.
But no, we are finished. He releases his grip and I stand before him. My buns are very tender. Remembering I am here to please Mikelstein, I perform a little dance, hopping from one foot to the other with my hands furiously rubbing my bum and my pepper bouncing up and down in front of his face.
The look on his face is a treat. He wants me. He wants me so bad.
I turn my back to him, so he gets a great view of my glory hole as I bend to my toes to retrieve my briefs. Slowly, I pull them up over my bright red buttocks, wriggling exaggeratedly as the soft cotton brushes them. Then, back to my feet again for the cut-offs.
I turn around to face Mikelstein so he can see me tucking my dick into my shorts.
His eyes pop.
“Please Mr Mikelstein, have I got the part?” I pucker.
“Oh yes boy. Yes.”
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More stories from Charles Hamilton II are on the MMSA website
Charles Hamilton the Second